Alicia LaChance’s “New Village” quite literally reflects layer upon layer of artistic tradition.
The fresco, created on a canvas 60 inches square, presents color palettes and folk symbols from across the globe – overlapping in a dazzling radial pattern.
LaChance, an artist from St. Louis, began the piece that would become “New Village” in 2011. She’d been contemplating the blending of cultures – past clashes, future possibilities for peace. One late night in her studio, she gave her jumbled thoughts physical expression by cutting up folk art pictures and assembling them into a collage.
“I literally cut strips of paper and started to line up the different colors and symbols on the studio wall,” LaChance said. “This started out as, ‘I like this from one culture and this color palette from this culture.’”
She refined the initial collage into a multicultural remix all her own. She uses acrylic, spray paint, oil paint to achieve her desired textures – sometimes mixing her own pigments, too. The end result is a 41-color mixed-media piece that LaChance says pulses with the “rhythm of the world at large.”
“I literally cut strips of paper and started to line up the different colors and symbols on the studio wall.”Alicia LaChance
LaChance teamed with Pele Prints to produce a handful of lithographs of “New Village,” one of which was acquired by the Estee Lauder New York collection.
A former apparel designer, LaChance began painting a decade ago and is entirely self-taught. In 2004, she co-founded Hoffman LaChance Contemporary in St. Louis. A number of her pieces were recently included in the Midwest edition of “New American Paintings.”
LaChance gave us a peek into the creative process that resulted in “New Village” and some of her other recent works.
- LaChance
- “Working in my studio.”
- Current international influences at the studio. I start with books and publications, then the internet, making color & design decisions based on their repetition across cultures.
- Mixed powdered pigments to use later on for the fresco, along with more books.
- My architectural table. I’m working on a current series of limited edition prints that are based on an esperanto of sorts… choosing graphics and geometrics I see being used as a contemporary cross-cultural language in design, on the streets and in art. I first painted the symbols, then my friend helped me convert them into a font for my computer keyboard. The symbols are being arranged as digital blocks of information that will be used as overlays on the prints.
- An example of organizing color stories based on research.
- “New village”
- Terrazzo inlay medallion version of “New Village” in Terminal 1 at Lambert-St. Louis International Airport